tag:blogger.com,1999:blog-60492438301635831772024-03-21T21:13:26.112-07:00Occasional thoughts, art reviews, photographs and storiesjulia wincklerhttp://www.blogger.com/profile/18242643139010910009noreply@blogger.comBlogger17125tag:blogger.com,1999:blog-6049243830163583177.post-86052410237013366972019-10-11T08:14:00.002-07:002019-10-11T08:14:31.586-07:00Art-Exit: 1939 A very different Europe Invitation to upcoming talk Collar the Lot @ 12 Star Gallery, London <table border="0" cellpadding="0" cellspacing="0" style="border-collapse: collapse; caret-color: rgb(0, 0, 128); color: navy; font-family: Tahoma; font-size: 13.333333015441895px; width: 658px; word-wrap: normal;"><tbody>
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<span style="font-family: Times New Roman,serif; font-size: small;"><span style="font-size: 12pt;"><span style="color: black; font-family: Lucida Sans Unicode,sans-serif;">Ben Uri Gallery and Museum is delighted to present a special series of free evening talks at Europe House, 32 Smith Square, SW1P 3EU. These flow from the recent exhibition by the Ben Uri Research Unit, marking the contribution to art in Britain by the so-called ‘Hitler emigres’ on the 80th anniversary of the outbreak of the Second World War. Spread over consecutive Thursdays in October, a range of distinguished experts engage with topics that continue to resonate deeply within our globalised society: identity, migration, displacement and internment - and the power of art to reflect and respond to these issues. Each talk will be preceded by refreshments and followed by an audience Q&A.</span></span></span></div>
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<span style="font-family: Times New Roman,serif; font-size: small;"><span style="font-size: 12pt;"><span style="color: black; font-family: Lucida Sans Unicode,sans-serif;"><b>17 October 2019, 6.30 p.m.</b></span><span style="color: #757575; font-family: Lucida Sans Unicode,sans-serif;"><br /></span><span style="color: red; font-family: Lucida Sans Unicode,sans-serif;"><b>"Collar the lot!" Artists, Aliens and Aspects of Internment in Britain c. 1940</b></span><span style="color: #757575; font-family: Lucida Sans Unicode,sans-serif;"><br /></span><span style="color: #757575; font-family: Lucida Sans Unicode,sans-serif;"><br /></span><span style="color: #757575; font-family: Lucida Sans Unicode,sans-serif;"><b>Prof Charmian Brinson, Prof Fran Lloyd, Dr Rachel Pistol and Dr Julia Winckler</b></span><span style="color: #757575; font-family: Lucida Sans Unicode,sans-serif;"><br />Chaired by Monica Bohm-Duchen, Director: Insiders/Outsiders Festival </span></span></span></div>
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<span style="font-family: Times New Roman,serif; font-size: small;"><span style="font-size: 12pt;"><span style="color: #757575; font-family: Lucida Sans Unicode,sans-serif;">These four linked short talks present different aspects of the often-overlooked British internment crisis of 1940. Charmian Brinson discusses how cultural activities managed to flourish behind barbed wire, particularly in two very different Isle of Man camps: Rushen women’s camp and Hutchinson men’s camp (the latter often known as the ‘Artists’ Camp, its internees including renowned German artists Kurt Schwitters and Ludwig Meidner). Julia Winckler focusses on the creative output of another Hutchinson internee, the German painter/writer Fred Uhlman; Fran Lloyd, on young Austrian refugee, Ernst Eisenmayer, while Rachel Pistol provides a fascinating account of the reactions of the British press and other contemporary views on this extraordinary moment in Britain's wartime history.</span></span></span></div>
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julia wincklerhttp://www.blogger.com/profile/18242643139010910009noreply@blogger.com0tag:blogger.com,1999:blog-6049243830163583177.post-76791767293725418722018-02-03T12:49:00.000-08:002018-02-03T12:49:22.382-08:00Terry Dennett (1938-2018) Photographer & Social Historian <div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgt-NVFfNH1X1ImkxOWOescluqMxJQ1TClShyphenhyphengH6E4bWRPtQ660EAitDacvvHcwcDlAwvaFBV0_1pSF5Ci5IS3vRoiuHsaZPhKDI6T8lVwAcyrj0gADiTdjUA4PpQykciS7rTwaOIQjaXgE/s1600/Terry+2011.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1600" data-original-width="1170" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgt-NVFfNH1X1ImkxOWOescluqMxJQ1TClShyphenhyphengH6E4bWRPtQ660EAitDacvvHcwcDlAwvaFBV0_1pSF5Ci5IS3vRoiuHsaZPhKDI6T8lVwAcyrj0gADiTdjUA4PpQykciS7rTwaOIQjaXgE/s320/Terry+2011.jpg" width="234" /></a></div>
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<b>Terry Dennett,</b> who passed away recently, would have turned 80 on 4 February. There will be a service at the Islington Crematorium, 278 High Road, East Finchley, at 11 a.m. on Wednesday 7 February. </div>
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We first met at TPW - Toronto Photographer's Workshop, at a comprehensive Jo Spence retrospective in 1997, where Terry was speaking about the legacy of her work and their collaborations. Over the next 20 years, Terry became a mentor and dear friend, always sharing his wide ranging photographic knowledge generously. </div>
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<span style="font-size: x-small;">Terry Dennett in 2012 at Jo Spence (Part 1) in London, Space Studios</span></h4>
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Training originally as a painter, for decades Terry worked as staff photographer at the London Zoo, where he had a colour and black & white darkroom and a 9 to 5 job. He also had, what he referred to as his second 5 to 9 job, and would regularly collaborate on projects with researchers, including Shaheed Macgregor, on <i>Eating Rough, Sleeping Rough, </i>a pop-up exhibition<i> </i>made in support of a campaign to address homelessness and raise awareness in the 1990s.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKPItmxO9ttmllngsNpmdfrqcTtsrHOxj9yU5qog8DzuBUmvjkSp3H0CGUylXZgoEJ8fK8CemdYcobifsagbWG-ySJmUIQiUySu1AVeu3p3fAikijWAanNHkST_81dfGEjGg4y4TtIIX1k/s1600/Screen+Shot+2018-02-03+at+20.17.49.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="594" data-original-width="791" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKPItmxO9ttmllngsNpmdfrqcTtsrHOxj9yU5qog8DzuBUmvjkSp3H0CGUylXZgoEJ8fK8CemdYcobifsagbWG-ySJmUIQiUySu1AVeu3p3fAikijWAanNHkST_81dfGEjGg4y4TtIIX1k/s320/Screen+Shot+2018-02-03+at+20.17.49.png" width="320" /></a></h4>
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<span style="font-size: x-small;">Project slide from Eating Rough, Sleeping Rough</span></h4>
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Terry was also the dedicated and tireless founder/keeper of the Jo Spence Memorial Archive
which he ran for <span style="text-align: center;">25 years, ensuring Jo Spence' lasting legacy. Terry eventually
oversaw the safe deposit of her research material, at the Toronto's Ryerson
School of Image Arts Archive research centre, at London's Birkbeck institute,
and also with Richard Saltoun Gallery. </span></div>
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Together with Jo Spence, Terry collaborated on many projects from the early
1970s onwards, including <i>The Crisis Project</i>, and they edited the collections <i>Photography/Politics 1 & 2</i>, which produced groundbreaking, political commentary on photographic practices. He also assisted on many of Jo Spence's projects.<br />
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Cover of <i>Photography/Politics:One</i>, 1979</h4>
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Together with Jo Spence, Terry founded the Photography Workshop Ltd in 1974, a grassroots organisation tasked, in Terry's words, 'with researching marginalised or hidden histories and traditions of social radicalism'. The Half Moon Gallery later merged with Terry & Jo's Photography Workshop, eventually creating Camerawork Gallery. </div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3hWAnqUQMxlXIeGURGVPtKqhN0V-T5mDxceiUJVPKXxjnEpXUzZI6gAaqnYceQ7_komFX_sI81cM4NDGY65jm6OdP62SIlxW44nHqXwzl_aakONNxrl3hcHTPwJdDvJEqCBcst1CjkdKv/s1600/Screen+Shot+2018-02-03+at+20.13.20.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="486" data-original-width="460" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3hWAnqUQMxlXIeGURGVPtKqhN0V-T5mDxceiUJVPKXxjnEpXUzZI6gAaqnYceQ7_komFX_sI81cM4NDGY65jm6OdP62SIlxW44nHqXwzl_aakONNxrl3hcHTPwJdDvJEqCBcst1CjkdKv/s320/Screen+Shot+2018-02-03+at+20.13.20.png" width="302" /></a><span style="text-align: center;"> <span style="font-size: x-small;">Terry Dennett & Jo Spence, ca. 1974</span></span></h4>
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<!--EndFragment-->Terry also supported the
international Phototherapy community by making the archive accessible,
presenting at conferences, giving talks to students (including at the
University of Brighton, University of Roehampton, and in Finland on several occasions) and offering tutorials and access to archival resources freely.<o:p></o:p><br />
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It would have been wonderful to celebrate his 80th birthday together this
weekend. Instead, those of you who knew Terry might wish to consider attending
the service next Wednesday, or keep his memory alive in your hearts.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6jZGSMwZc7PFg7w3widipy-5NrcSj1pSffKmlhYSh7WbWPDJUxanGP4-5du2yKMJzXuGq0Kw4wleCwyqliORnMApfqt4wnfmoNqCk0DY7NMYwn8P0Z-ZDQiInQJ1Pkz62wU2D09ZwH-MX/s1600/terry+.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1113" data-original-width="1600" height="222" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6jZGSMwZc7PFg7w3widipy-5NrcSj1pSffKmlhYSh7WbWPDJUxanGP4-5du2yKMJzXuGq0Kw4wleCwyqliORnMApfqt4wnfmoNqCk0DY7NMYwn8P0Z-ZDQiInQJ1Pkz62wU2D09ZwH-MX/s320/terry+.jpg" width="320" /></a><span style="font-size: x-small;"> Terry Dennett in 2001 in Eastbourne</span></h4>
<br />julia wincklerhttp://www.blogger.com/profile/18242643139010910009noreply@blogger.com1tag:blogger.com,1999:blog-6049243830163583177.post-14497246609693831302017-03-12T13:31:00.000-07:002017-03-12T13:31:32.066-07:00Mémoires photographiques des coins perdus: Les Enfants de la Cité Lesage-Bullourde et Boulogne-Billancourt, Paris 1949-54: photographer Marilyn Stafford's work in Toronto<h1>
<span lang="EN-US">Marilyn Stafford Alliance Francaise Exhibition March 8<sup>th</sup>
– April 3 2017 Toronto<o:p></o:p></span></h1>
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<b style="mso-bidi-font-weight: normal;"><span lang="EN-US">Mémoires
photographiques des coins perdus: Les Enfants de la Cité Lesage-Bullourde et
Boulogne-Billancourt, Paris 1949-54<o:p></o:p></span></b></div>
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<span lang="EN-US">Much travelled and internationally published
photographer Marilyn Stafford grew up during the 1930s in Cleveland, Ohio USA.
In December 1948, Marilyn moved to Paris via New York, and in 1951 briefly sang
with a small music ensemble at Chez Carrère near the Champs Elysées. At the
club she met Edith Piaf and also became friends with Robert Capa and Henri
Cartier-Bresson, who both encouraged her work as a photographer. <o:p></o:p></span></div>
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<span lang="EN-US">Between 1949 and the mid 1950s, Marilyn
made photographs in several different Parisian neighbourhoods. Her compelling images
of children from Cité Lesage-Bullourde near the Place de la Bastille, provide
rare insights into the daily lives of children in one of Paris’ poorest districts.
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<span lang="EN-US">Marilyn’s photographs of the children who
made these streets their playground, document a community whose lives and experiences
had been completely underrepresented. Her ability to engage with them provides
for posterity captivating visual traces of a vanished neighbourhood, long
dispersed when the area was eventually demolished and gentrified.<o:p></o:p></span></div>
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<span lang="EN-US">The exhibition also features photographs
taken in Boulogne-Billancourt and Marilyn’s pioneering fashion work, which for
the first time took models out of the studio and onto the streets, applying a social
documentary approach to the fashion shoot. <o:p></o:p></span></div>
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<span lang="EN-US">The few surviving contact sheets, negatives
and prints from Marilyn’s archive of this period have been digitized and
painstakingly repaired by Julia Winckler, University of Brighton, who is curator
of the exhibit. This process allowed for the images to be enlarged revealing
new detail.<span style="mso-spacerun: yes;"> </span>The archival material also
has a life of its own, revealing Marilyn’s working practices, her photographic
eye, and the editorial choices she made by cropping and cutting, making marks
with crayons and stapling contact sheets and individual images together. They
have the patina of time embedded within them and contain multiple stories as we
encounter and hold the gaze of the children Marilyn photographed. Accompanied
by a film made by Ian Hockaday – shown as part of the exhibit. <o:p></o:p></span></div>
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<span lang="EN-US">Julia Winckler<span style="mso-spacerun: yes;"> </span>February 2017 <o:p></o:p></span></div>
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<i style="mso-bidi-font-style: normal;"><span lang="EN-US">Exhibition
curated by Julia Winckler (with the support of SSHRG Canada From Streets to Playgrounds)
and with an exhibition brochure with texts by Prof. Adrienne Chambon
(University of Toronto) and Julia Winckler. Exhibition take place in
conjunction with a co-curated exhibition (with colleagues Adrienne Chambon,
Ernie Lightman, Bethany Good (University of Toronto) and Vid Ingelevics and Mary
Anderson (Ryerson) at the City of Toronto Archives gallery that focuses on
historical representations of children in Toronto’s Ward area and relaunches on
20 March.<o:p></o:p></span></i></div>
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<i style="mso-bidi-font-style: normal;"><span lang="EN-US">Radio program with Radio Canada's Line Boily here: </span></i></div>
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http://ici.radio-canada.ca/emissions/L_heure_de_pointe_Toronto/2015-2016/archives.asp?date=2017-03-07</div>
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Private view March 8th 2017 (film screening Ian Hockaday)</div>
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julia wincklerhttp://www.blogger.com/profile/18242643139010910009noreply@blogger.com0tag:blogger.com,1999:blog-6049243830163583177.post-20754490658404821542016-11-29T14:57:00.003-08:002016-11-29T14:58:03.526-08:00Landscape from a dream: Paul Nash'One reality leads to another with the assurance that both exist instantaneously and in the same place' - Roland Penrose, commenting, in 1938 on the landscapes of Paul Nash - currently @ TATE BRITAIN.<br />
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Large comprehensive retrospective of Paul Nash's work - rich use of symbolism, metaphor and planes of vision. Dreaming trees and Aerial Creatures particularly moving.julia wincklerhttp://www.blogger.com/profile/18242643139010910009noreply@blogger.com0tag:blogger.com,1999:blog-6049243830163583177.post-24478284215509976792016-11-21T14:12:00.001-08:002016-11-21T14:12:07.878-08:00The edge of the earth @ Ryerson School of Image arts galleryDevastating group exhibition showing damage caused to planet - era of the anthropocene - with Richard Misrach, Chris Jordan, Ed Burtynsky and many more.<br />
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Chris Jordan image of 2010 unaltered stomach contents of fledgling Laysan albatross, Midway Island<br />
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julia wincklerhttp://www.blogger.com/profile/18242643139010910009noreply@blogger.com0tag:blogger.com,1999:blog-6049243830163583177.post-48038029814412051412016-11-21T13:50:00.001-08:002016-11-29T14:57:52.417-08:00'An archive is a conversation between the present and the past': Black Chronicles Photographic portraits 1862-1948 @ National Portrait Gallery<div class="separator" style="clear: both; text-align: center;">
Autograph exhibition of more than forty photographs in three gallery spaces at the National Portrait Gallery. Astonishing quality and presence - important exhibition - beautifully presented.</div>
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Photographs taken in 1891 - but look contemporary - the sitters are present.<br />
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<br />julia wincklerhttp://www.blogger.com/profile/18242643139010910009noreply@blogger.com0tag:blogger.com,1999:blog-6049243830163583177.post-5326389998984809112016-11-21T13:50:00.000-08:002016-11-21T13:57:35.568-08:00'An archive is a conversation between the present and the past': Black Chronicles Photographic portraits 1862-1948 @ National Portrait Gallery<div class="separator" style="clear: both; text-align: center;">
Autograph exhibition of more than forty photographs in three gallery spaces at the National Portrait Gallery. Astonishing quality and presence - important exhibition - beautifully presented.</div>
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<br />julia wincklerhttp://www.blogger.com/profile/18242643139010910009noreply@blogger.com0tag:blogger.com,1999:blog-6049243830163583177.post-54404496991086545022016-07-14T14:14:00.001-07:002016-07-14T14:14:40.510-07:00Seen in July 2016: 'sorry we are closed' <div class="separator" style="clear: both; text-align: center;">
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<br />julia wincklerhttp://www.blogger.com/profile/18242643139010910009noreply@blogger.com0tag:blogger.com,1999:blog-6049243830163583177.post-68738140800865614672015-10-19T01:56:00.001-07:002015-10-19T01:59:41.313-07:00Beautiful, moving music: Martha Tilston @ zustudios in Lewes, 16th October 2015<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">What an uplifting experience to listen to Martha Tilston and her gifted band at zustudios.</span><br />
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<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Complex lyrics interwoven with beautiful folk-inspired music - Tilston has a rich and versatile voice and is </span><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">also a fantastic guitarist, with an amazing veteran band (mandoline, violin, guitar, drums, keyboards and base).</span><br />
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<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">For a large, appreciative audience, s</span><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">he sang the powerful new song </span><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">L.O.V.E, which is </span><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-weight: bold; letter-spacing: 1px;">motivated by the recent refugee crisis</span><br />
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<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="letter-spacing: 1px;">You can download it directly from her website to raise money for </span><span class="Apple-style-span" style="letter-spacing: 1px;">Médecins Sans Frontières (MSF)</span></span></div>
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<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">http://www.marthatilston.co.uk/<span class="Apple-style-span" style="letter-spacing: 1px;"><b><br /></b></span></span><br />
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<span class="Apple-style-span" style="font-weight: bold; letter-spacing: 1px;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Supported by Danny Emerson, whose rich and haunting songs are truly memorable.</span></span></div>
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Martha Tilston and her hugely gifted band played at zustudios in Lewes, an arts centre and meeting place in a warehouse built in 1912:</div>
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http://www.zustudios.com/</div>
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</span></span><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Sadly this amazing centre is threatened by closure - a developer wants to redevelop the whole area. This space is a huge asset to Lewes and we were totally impressed by the warm welcome we received. </span><span class="Apple-style-span" style="font-weight: bold; letter-spacing: 1px;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><div style="font-size: medium; font-weight: normal; letter-spacing: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
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Lewes also had a light festival at the weekend, and the atmospheric illuminations near Lewes castle echoed the beautiful projections at zustudios.</div>
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julia wincklerhttp://www.blogger.com/profile/18242643139010910009noreply@blogger.com0tag:blogger.com,1999:blog-6049243830163583177.post-48834178865990105652015-10-11T06:24:00.002-07:002015-10-19T01:58:02.512-07:00Justin Partyka at Black Barn and Magnificent Obsessions: The Artist as Collector at Sainsbury Centre for Visual Arts<br />
I could not think of a more appropriate, atmospheric venue for photographer Justin Partyka's beautiful, evocative photographs of rural photographs from Suffolk and Norfolk than the Black Barn in Cockley Cley, where a large selection of his work has been on view since mid September.<br />
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Walking from one barn room to the next, we encounter carefully observed landscapes, sensitive portraits and still lives - made since the late 1990s using a 35 mm analogue SLR camera and transparence film. Partyka explains that he still only makes his work using the analogue process. </div>
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He studied folk art and history in Newfoundland and discovered that photography became his preferred way of capturing experiences and encounters. His intuitive way of making photographs and the care he takes to observe minute details and to get to know the people and places he photographs and connect with them make his photographic series burst with experience but also light and colours.</div>
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More of Partyka's work can be found here:</div>
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http://www.justinpartyka.com/</div>
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The same day, we also visited <i>Magnificent Obsessions: The Artist as Collector </i>at Sainsbury Centre for Visual Arts, UEA, Norwich.<br />
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A version of this exhibition had previously been on view at the Barbican, where I had missed it. I couldn't think of a more beautiful way of displaying Pae White's collection of scarves designed by Vera Neuman - a trip just to see the way the scarves have been suspended in colourful rows would be worthwile. The arrangement of Martin Parr's postcard collection creates fascinating new relationships and topographies - photographs of the artists with their collections at home make possible new insights and help understand the influences of the objects on the artists' own work (e.g. Edmund de Waal's collection echoes his elegant white porcelain vessels).<br />
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http://scva.ac.uk/<br />
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<br />julia wincklerhttp://www.blogger.com/profile/18242643139010910009noreply@blogger.com0tag:blogger.com,1999:blog-6049243830163583177.post-66643858809516407052015-10-06T04:28:00.002-07:002015-10-06T04:28:36.467-07:00Lightscape: James Turrell @ Houghton Hall, Norfolk October 3rdInspiring and contemplative exhibition of Turrell's timeless exhibition pieces in and around Houghton Hall:<br />
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Turrell explains that our eyes are made for the twilight hour - as our pupils expand - whereas they contract at noon time due to the harshness of light then.<br />
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Projection event at dusk - distilling light and experience. Silent projection - with the most subtle of changes:<br />
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Also beautiful sculptural works by Zhan Wang (China), <i>Scholar Rock</i>, made out of stainless steel, in the vast park - shared with white deer:<br />
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and Richard Long (UK) <i>Full Moon Circle</i> - made from Cornish slate - looking both liquid and hard in the gorgeous autumn twilight:<br />
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Highly recommend you go if you can make it!<br />
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<br />julia wincklerhttp://www.blogger.com/profile/18242643139010910009noreply@blogger.com0tag:blogger.com,1999:blog-6049243830163583177.post-45475833192808930212015-09-08T12:17:00.002-07:002015-09-08T12:17:54.409-07:00Beaute Congo - Kongo Kitoko: 1926-2015 Important exhibition at Fondation Cartier, Paris<br />
Beautiful Kongo:<br />
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Paintings, installation work, music by Grand Kalle and many more, videos, photographs by Kiripi Katembo (who sadly died this August aged only 36) - exhibition a MUST see<br />
90 years of Congolese Art from artists in Kinshasa, Lubumbashi and other towns and cities:<br />
including Cheri Cherin, Pierre Bodo, Ilunga and interviews with artists:<br />
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On til November 2015julia wincklerhttp://www.blogger.com/profile/18242643139010910009noreply@blogger.com0tag:blogger.com,1999:blog-6049243830163583177.post-60724204417248542222015-09-08T12:05:00.000-07:002015-09-08T12:05:12.759-07:00Neighbours and Esplanadians - great pop up exhibition on Toronto's Esplanade Two great outdoor exhibitions - on neighbours (curated by Isorine Marc) and a second pop-up exhibition with portraits from the Americas and Esplanadians -seen on Toronto's popular Esplanade:<br />
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<br />julia wincklerhttp://www.blogger.com/profile/18242643139010910009noreply@blogger.com0tag:blogger.com,1999:blog-6049243830163583177.post-41192906451978500202015-08-31T08:29:00.002-07:002015-08-31T08:30:00.793-07:00Danforth at the crossroads, all within less than one mile: the cloud nine cafe, Halleluya gifts, Open Heaven ministries<div class="separator" style="clear: both; text-align: center;">
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<br />julia wincklerhttp://www.blogger.com/profile/18242643139010910009noreply@blogger.com0tag:blogger.com,1999:blog-6049243830163583177.post-15795586985175371612015-08-27T09:48:00.001-07:002015-08-27T09:53:08.905-07:00Rosa's cafe goes, the car that grows is still there and Bollywood comes to the Beaches<div class="separator" style="clear: both; text-align: center;">
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<br />julia wincklerhttp://www.blogger.com/profile/18242643139010910009noreply@blogger.com0tag:blogger.com,1999:blog-6049243830163583177.post-7132226045926093982015-08-27T09:25:00.001-07:002015-08-27T09:26:13.537-07:00Seen in 'Toronto the good', Aug 2015<div class="separator" style="clear: both; text-align: center;">
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<br />julia wincklerhttp://www.blogger.com/profile/18242643139010910009noreply@blogger.com2tag:blogger.com,1999:blog-6049243830163583177.post-132236701393300482015-08-27T09:03:00.003-07:002015-08-27T09:03:58.876-07:00Frida Kahlo in TorontoSo if you haven't yet seen this, I would highly recommend the Frida Kahlo exhibition at Toronto @ TMC on til early September.<br />
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http://www.textilemuseum.ca/exhibitions/frida-kahlo-through-the-lens-of-nickolas-muray<br />
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It combines colour photographs by Nickolas Muray, letters shared between them, jewellery and traditional Mexican costumes. Its a substantial exhibition - there are 50 beautiful black and white and three colour process photographs.<br />
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<br />julia wincklerhttp://www.blogger.com/profile/18242643139010910009noreply@blogger.com0